This is a story about what I learned from my 60 year old aunt, who has been an unsuccessful song writer for 40 years. The point of this article is not to put her down(I love her), but to bring the light some of the pitfalls to avoid as a beginning song writer.
When I first started producing, she would come to me with songs written on loose pieces of paper, asking me to record her songs for her. Her songs mostly consisted of lyrics that were not really formatted in any particular way. They really looked more like poems than songs.
I could barely work my ASR-10, when my relative begin bringing lyrics in hopes that I could help her record her songs. I agreed and was all ready to start, and I asked her "ok..so how does it go?" The answer was "I don't have a melody yet". So there we were, two non-singers with no melody for her lyrics. No progress was made and the lyrics were just filed.
Tip: Most parties who are interested in buying songs, are interested in just that, buying songs, not just lyrics.
After some time passed, my aunt started formatting her lyrics a little better, and she began to come up with some melodies.
In regards to formats, you have multiple song formats to choose from, or you can just wing it...there doesn't have to be any rules....but if you want to learn about song formats just google (song formats).
Lyrics......check! Format....check!.......Melodies.....check!...wait a minute..uncheck! My relative pretty much had the same melody for every song, and it was a country western melody....Problem, because I definitely didn't know how to make country western music.
What happened from there is that we could not make a song that sounded like she envisioned. So, she began to recruit people who said they could sing, but most of them had never even recorded before, and even if they could sing, just because a person can sing does not mean that they can write melodies. These experiences made my aunt irritated at me and they made her have a bad taste in her mouth regarding music as a whole....so what can you do to avoid this feeling?
Tip: To be a writer, you do not have to be a singer, but you do need to find or have access to someone who can perform you lyrics.
When it comes to writing styles, writers are different. There are some that don't write with music at all. Those writers can just peruse instrumentals until they find one that fits their lyrics. Then there are some that have an idea about what they want their music to sound like. In that case, those writers can find a producer who can create exactly what the writer is hearing.
I usually go with picking the music and letting the music inspire my lyrics. (You can find inspiring music at www.freshoffabreakup.com) Sometimes I attempt to sing melodies, just for timing guidelines for whoever is going to end up demo-ing the song. I also don't literally write my words down, I record them onto a little tape recorder so that I can make sure that I remember my lyrical pockets.
Once you have that, then you have to find someone to demo your song. You want to find a professional demo singer that does the type of music that you want your song to be (They vary in cost, but they generally are not that expensive). Make sure that you listen to a demo of them, or better yet, in your first meeting with them have them sing the song for you to determine if they are the right match for you and whether or not they can perform what you need to be performed, how you want it performed. Remember, in addition to paying them, you're going to have to find a studio, and they are going to charge hourly, so the longer this demo singer takes the more money it's going to cost you.
What do you do after the recording session is done and you actually like your song? Mixing time..thats what. Most likely, whoever engineered the original session will also be able to mix your record...it will just take a little more time and a little more money. You also need to be able to express to the mixing engineer what you want the end result to sound like. If not, you are taking the risk that the sound engineer may not do what you want him to do, the way you want him to do it.
The last step is mastering. There are mastering houses that you can go to, but they may be expensive. At the beginning of your career, a less expensive route should suffice. That route would be asking the mixing engineer to master the song.
Ok, we are now ready to submit. Well, not quite yet....you will want to copyright the song with the library of congress, and the register it with your writing society...and then we are ready to submit!
That's it for now, stay tuned for more helpful advice!
When I first started producing, she would come to me with songs written on loose pieces of paper, asking me to record her songs for her. Her songs mostly consisted of lyrics that were not really formatted in any particular way. They really looked more like poems than songs.
I could barely work my ASR-10, when my relative begin bringing lyrics in hopes that I could help her record her songs. I agreed and was all ready to start, and I asked her "ok..so how does it go?" The answer was "I don't have a melody yet". So there we were, two non-singers with no melody for her lyrics. No progress was made and the lyrics were just filed.
Tip: Most parties who are interested in buying songs, are interested in just that, buying songs, not just lyrics.
After some time passed, my aunt started formatting her lyrics a little better, and she began to come up with some melodies.
In regards to formats, you have multiple song formats to choose from, or you can just wing it...there doesn't have to be any rules....but if you want to learn about song formats just google (song formats).
Lyrics......check! Format....check!.......Melodies.....check!...wait a minute..uncheck! My relative pretty much had the same melody for every song, and it was a country western melody....Problem, because I definitely didn't know how to make country western music.
What happened from there is that we could not make a song that sounded like she envisioned. So, she began to recruit people who said they could sing, but most of them had never even recorded before, and even if they could sing, just because a person can sing does not mean that they can write melodies. These experiences made my aunt irritated at me and they made her have a bad taste in her mouth regarding music as a whole....so what can you do to avoid this feeling?
Tip: To be a writer, you do not have to be a singer, but you do need to find or have access to someone who can perform you lyrics.
When it comes to writing styles, writers are different. There are some that don't write with music at all. Those writers can just peruse instrumentals until they find one that fits their lyrics. Then there are some that have an idea about what they want their music to sound like. In that case, those writers can find a producer who can create exactly what the writer is hearing.
I usually go with picking the music and letting the music inspire my lyrics. (You can find inspiring music at www.freshoffabreakup.com) Sometimes I attempt to sing melodies, just for timing guidelines for whoever is going to end up demo-ing the song. I also don't literally write my words down, I record them onto a little tape recorder so that I can make sure that I remember my lyrical pockets.
Once you have that, then you have to find someone to demo your song. You want to find a professional demo singer that does the type of music that you want your song to be (They vary in cost, but they generally are not that expensive). Make sure that you listen to a demo of them, or better yet, in your first meeting with them have them sing the song for you to determine if they are the right match for you and whether or not they can perform what you need to be performed, how you want it performed. Remember, in addition to paying them, you're going to have to find a studio, and they are going to charge hourly, so the longer this demo singer takes the more money it's going to cost you.
What do you do after the recording session is done and you actually like your song? Mixing time..thats what. Most likely, whoever engineered the original session will also be able to mix your record...it will just take a little more time and a little more money. You also need to be able to express to the mixing engineer what you want the end result to sound like. If not, you are taking the risk that the sound engineer may not do what you want him to do, the way you want him to do it.
The last step is mastering. There are mastering houses that you can go to, but they may be expensive. At the beginning of your career, a less expensive route should suffice. That route would be asking the mixing engineer to master the song.
Ok, we are now ready to submit. Well, not quite yet....you will want to copyright the song with the library of congress, and the register it with your writing society...and then we are ready to submit!
That's it for now, stay tuned for more helpful advice!
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